Songtext He's watching us von Frank Zappa

Original

Bewerten sie:

Abstimmung von benutzern: 0.0/10 - Stimmen insgesamt: 0

Ändern video(1 von 3)

Playground psychotics

1992

01. "don't eat there"
02. "don't take me down"
03. "here comes the gear, lads"
04. "it's a good thing we get paid to do this"
05. "there's no lust in jazz"
06. "this is neat"
07. "you there, with the hard on!"
08. I'm doomed
09. Learning "penis dimension"
10. The spew king
11. The living garbage truck
12. A typical sound check
13. The motel lobby
14. Getting stewed
15. The motel room
16. The dressing room
17. Zanti serenade
18. Divan
19. Brixton still life
20. Super grease
21. Wonderful wino
22. Sharleena
23. Cruising for burgers
24. Diptheria blues
25. Well
26. Say please
27. Aaawk
28. Scum bag
29. A small eternity with yoko ono
30. Beer shampoo
31. Champagne lecture
32. Childish perversions
33. Playground psychotics
34. The mud shark interview
35. Botulism on the hoof
36. You got your armies
37. Status back baby
38. The london cab tape
39. Concentration moon, part one
40. The sanzini brothers
41. Concentration moon, part two
42. Mom & dad
43. Intro to music for low budget orchestra
44. Billy the mountain
45. He's watching us
46. If you're not a professional actor
47. He's right
48. Going for the money

He's watching us

[Kensington Palace Hotel
1st script reading of "200 Motels"
January 18, 1971]

Howard: It's him, he's watching us!
Mark: You think he heard us?
Ian: I've been in the band for years, and . . . you can bet that he hears everything
Jeff: Let's go over and pretend to be nice to him
Howard: Let's go over and pretend we don't know he's watching
Mark: And ripping off all our good material
Howard: Hi, man
Ian: Hi, Frank
Mark: Hi, man
Jeff: Hi, Frank
Aynsley: Hi, man
George: Hi, Frank
Mark: Well, that's a great new comic song you wrote, that one about the penis and everything, I was laughing a lot while I was learning it
Howard: Yeah, Frank, uh, it was a little hard to get into it first, but, uh, once we got the drift . . .
Jeff: That's a real great part you got in there for the chorus when they go ran-tan-toon ran-ta-tan, while I steal the room and everything, I don't mind he's ripping it off so long I get paid . . .
Mark: Me too, I won't even care 'bout the part where it goes "what can I say about this elixir?" so long as me and Howard and Jeff get credit for special material, there's some bad ground acid . . . Aynsley, you can take it with a grain of salt, ha ha ha . . .
Aynsley: I don't mean to upset you, lads . . . I don't mean to upset you, lads, but the reason my retorts were so snappy is because he's making me do this, I should imagine he's making you do yours too, isn't he?
Howard: Get out of here, you creep, you used to live in his house!
Aynsley: See you later, lads

Danke, weil sie diesen text korrigieren

künstler*

songtitel*

email*

abonniere den newsletter

songtext*

[Kensington Palace Hotel
1st script reading of "200 Motels"
January 18, 1971]

Howard: It's him, he's watching us!
Mark: You think he heard us?
Ian: I've been in the band for years, and . . . you can bet that he hears everything
Jeff: Let's go over and pretend to be nice to him
Howard: Let's go over and pretend we don't know he's watching
Mark: And ripping off all our good material
Howard: Hi, man
Ian: Hi, Frank
Mark: Hi, man
Jeff: Hi, Frank
Aynsley: Hi, man
George: Hi, Frank
Mark: Well, that's a great new comic song you wrote, that one about the penis and everything, I was laughing a lot while I was learning it
Howard: Yeah, Frank, uh, it was a little hard to get into it first, but, uh, once we got the drift . . .
Jeff: That's a real great part you got in there for the chorus when they go ran-tan-toon ran-ta-tan, while I steal the room and everything, I don't mind he's ripping it off so long I get paid . . .
Mark: Me too, I won't even care 'bout the part where it goes "what can I say about this elixir?" so long as me and Howard and Jeff get credit for special material, there's some bad ground acid . . . Aynsley, you can take it with a grain of salt, ha ha ha . . .
Aynsley: I don't mean to upset you, lads . . . I don't mean to upset you, lads, but the reason my retorts were so snappy is because he's making me do this, I should imagine he's making you do yours too, isn't he?
Howard: Get out of here, you creep, you used to live in his house!
Aynsley: See you later, lads