So in future lifetimes
It's a certainty
That we'll again
Fit together perfectly
So in in future lifetimes
It's a certainty
That we'll again
Fit together perfectly
You're the sun to me
You're the sun to me
You're the sun to me
You're the sun to me
You're the sun to me
You're the sun to me
I stumbled into you
Accidentally
And yet
Feels as though you were
Sent to me...
That we were meant to be
Together and grow with
Each other
Through the centuries
If my body was your mirror
You'd be able to see
Exactly
What it is about you
That I'm addicted to
Helplessly you distract me
Like a mountain view of
Rivers crashing into the sea
Strangely
You all seem familiar to me
Would so, love tie us
Together through eternity
So in future lifetimes
It's a certainty
We will again
Fit together perfectly
You're the sun to me
You're the sun to me
So in future lifetimes
It's a certainty
We will again
Fit together perfectly
You're the sun to me
You're the sun to me
If my body was your mirror
You'd be able to see
Exactly
What it is about you
That makes me shiver
You give me a soul fever
And I achieve
A new level of grace
So in future lifetimes
It's a certainty
We will again
Fit together perfectly
Perfectly
Perfectly
Perfectly
Perfectly
Perfectly
You're the sun to me
You're the sun to me
We do it so fervently
We do it so fervently
With your urgency
We do it so fervently
You're the sun to me
You're the sun to me
You're the sun to me
You're the sun to me
You're the sun to me
You're the sun to me
You're the sun to me
You're the sun to me
British dance act Faithless enjoyed chart success in the late 90s, but have struggled in recent years to revive their popularity. Debut album Reverence (1996) contained two Top 10 hits: "Salva Mea" and "Insomnia", both featuring rapper Maxi Jazz' distinctive style. Sunday 8pm (1998) was another successful album, and single "God Is A DJ" reached No.6 in the UK charts. Outrospective (2001) and No Roots (2004) featured Top Tenners "We Come 1" and "Mass Destruction" respectively, and No Roots was Faithless' first No.1 album. But that commercial success coincided with the bands' worst reviews yet, as critics were underwhelmed by their third and fourth albums. Fifth studio album To All New Arrivals (2006) only reached No.30 in the album charts, suggesting that Faithless' fanbase was finally agreeing with the critics.
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