Oh, the ragman draws circles
Up and down the block.
I'd ask him what the matter was
But I know that he don't talk.
And the ladies treat me kindly
And furnish me with tape,
But deep inside my heart
I know I can't escape.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.
Well, Shakespeare, he's in the alley
With his pointed shoes and his bells,
Speaking to some French girl,
Who says she knows me well.
And I would send a message
To find out if she's talked,
But the post office has been stolen
And the mailbox is locked.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.
Mona tried to tell me
To stay away from the train line.
She said that all the railroad men
Just drink up your blood like wine.
An' I said, Oh, I didn't know that,
But then again, there's only one I've met
An' he just smoked my eyelids
An' punched my cigarette.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.
Grandpa died last week
And now he's buried in the rocks,
But everybody still talks about
How badly they were shocked.
But me, I expected it to happen,
I knew he'd lost control
When he built a fire on Main Street
And shot it full of holes.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.
Now the senator came down here
Showing ev'ryone his gun,
Handing out free tickets
To the wedding of his son.
An' me, I nearly got busted
An' wouldn't it be my luck
To get caught without a ticket
And be discovered beneath a truck.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.
Now the preacher looked so baffled
When I asked him why he dressed
With twenty pounds of headlines
Stapled to his chest.
But he cursed me when I proved it to him,
Then I whispered, Not even you can hide.
You see, you're just like me,
I hope you're satisfied.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.
Now the rainman gave me two cures,
Then he said, Jump right in.
The one was Texas medicine,
The other was just railroad gin.
An' like a fool I mixed them
An' it strangled up my mind,
An' now people just get uglier
An' I have no sense of time.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.
When Ruthie says come see her
In her honky tonk lagoon,
Where I can watch her waltz for free
'Neath her Panamanian moon.
An' I say, Aw come on now,
You must know about my debutante.
An' she says, Your debutante just knows what you need
But I know what you want.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.
Now the bricks lay on Grand Street
Where the neon madmen climb.
They all fall there so perfectly,
It all seems so well timed.
An' here I sit so patiently
Waiting to find out what price
You have to pay to get out of
Going through all these things twice.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.
Der musikalische text STUCK INSIDE OF MOBILE WITH THE MEMPHIS BLUES AGAIN von BOB DYLAN ist auch in dem Album vorhanden Bob dylan's greatest hits, vol. 2 (1971)
Bob Dylan, nato Robert Allen Zimmerman a Duluth (Minnesota) il 24 maggio 1941, è un cantautore, compositore, scrittore, poeta, pittore, attore e conduttore radiofonico statunitense. Considerato una delle figure più influenti degli ultimi cinquant'anni in musica, cultura popolare e letteratura, Dylan ha segnato profondamente la storia della musica americana. La sua carriera inizia negli anni '60, periodo in cui si afferma come figura chiave del movimento di protesta americano. Canzoni come *Blowin' in the Wind* e *The Times They Are A-Changin'* diventano inni dei movimenti pacifisti e per i diritti civili. I testi delle sue prime canzoni affrontano temi politici, sociali e filosofici, influenzati da autori letterari come Walt Whitman e William Blake, sfidando le convenzioni della musica pop e appellandosi alla controcultura del tempo. Nel corso degli anni Dylan ha ampliato e personalizzato il suo stile musicale, esplorando generi diversi come country, blues, rock e gospel. Tra i suoi album più importanti: *The Freewheelin' Bob Dylan* (1963), *Bringing It All Back Home* (1965) e *Highway 61 Revisited* (1965). Nel 1976 pubblica l'album *Desire*, che segna un nuovo capitolo nella sua carriera, con influenze blues e country. Nel 2016 riceve il Premio Nobel per la letteratura «per aver creato nuove poetiche nel grande universo della canzone americana».
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