When I was younger I was certain
That I'd be fine without a queen
Just a king inside his castle
With an ocean in between
Now all I do is sit and count the miles from you to me,
Oh, calamity
We get older by the hour
Watch the changes from afar
Keep forgetting to remember
Where we've been is who we are
Now all I do is wonder
Why we ever set the scene
Oh, calamity
It's a shame that we play strangers
No act to change but we've become
Damn, it's such a shame that we've built such a wreck out of me
Oh, calamity
Oh, calamity
I'll remember nights alone
I'm waking up to dial tones
Always found my greatest moments
In the sound of your hellos
Now I struggle to recall
The reasons you would come to leave
Oh, calamity
It's a shame that we play strangers
No act to change but we've become
Damn, it's such a shame that we've built such a wreck out of me
Oh, calamity
Oh, calamity
If I catch you on the corner
Will you even know it's me?
Will I look familiar to you?
Do you offer me a seat?
Can we find a new beginning?
Do you turn the other cheek?
Oh, calamity
It's such a shame that we play strangers
No act to change but we've become
It's such a shame that we play strangers
No act to change but we've become
Damn, it's such a shame that we've built a wreck out of me
Oh, calamity
Oh, calamity
Come back to me
Drawing heavy influence from Green Day and blink-182 early on, pop-punk quartet All Time Low formed in the suburbs of Baltimore, MD, in 2003 around singer/guitarist Alex Gaskarth and guitarist Jack Barakat. The two soon added bassist Zack Merrick and drummer Rian Dawson to round out their energetic pop-punk sound and rowdy live show, which often included silly string and beach balls. Honing their skills between homework and other teenage commitments, the guys managed to tour across the East Coast and South during school breaks. They released the four-song EP The Three Words to Remember in Dealing with the End through the local label Emerald Moon in 2004 and followed up with a full-length, The Party Scene, a year later. Touring nationwide that summer, the band found itself on bills with similar-minded acts like Motion City Soundtrack, the Early November, and Plain White T's. Along the way, All Time Low also bumped into fellow pop-punkers Amber Pacific, who brought the young band to the attention of their label, Hopeless Records. The label was immediately impressed, and All Time Low were officially part of the Hopeless family by March 2006, just a few months before they graduated from high school. Finally done with schoolwork to concentrate full-time on music, the group issued Put Up or Shut Up -- a seven-song EP that mostly featured new recordings of older material -- that July. Now able to tour freely, the band supported the release on a handful of summer Warped Tour dates before subsequently hitting the road nationwide with Amber Pacific.
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