He's not to be reached, he's to be reached.
He's not to be reached, he's to be reached.
Called the fool and the company,
On his own where he'd rather be.
Where he ought to be, he sees what you can't see, can't you see that?
Maybe he's caught in the legend,
Maybe he's caught in the mood.
Maybe these maps and legends
Have been misunderstood.
Down the way the road's divided,
Paint me the places you have seen.
Those who know what I don't know
Refer to the yellow, red and green
Maybe he's caught in the legend,
Maybe he's caught in the mood.
Maybe these maps and legends
Have been misunderstood.
He's not to be reached, he's to be reached.
He's not to be reached, he's to be reached.
He's not to be reached, he's to be reached.
He's not to be reached, he's to be reached.
The map that you painted didn't seem real.
He just sings whatever he's seen
Point to the legend, point to the east,
Point to the yellow, red and green
Maybe he's caught in the legend,
Maybe he's caught in the mood.
Maybe these maps and legends
Have been misunderstood, been misunderstood. (Maps and legends)
(Maps and legends) Is he to be reached? He's not to be reached.
(Maps and legends) Is he to be reached? He's not to be reached.
(Maps and legends) Is he to be reached? He's not to be reached anymore.
Der musikalische text MAPS AND LEGENDS von R.E.M. ist auch in dem Album vorhanden Fables of the reconstruction (1985)
R.E.M. è stata una band rock americana formatasi ad Athens, in Georgia, nel 1980. Considerati uno dei gruppi più influenti nella formazione dell'alternative rock e dell'indie, R.E.M. sono diventati uno dei gruppi rock più grandi al mondo nei primi anni '90. Inizialmente hanno attirato un seguito underground, ma la loro popolarità è poi sbocciata in un successo mainstream, passando da locali affollati a stadi sportivi e festival durante una carriera che ha attraversato tre decenni. Il gruppo era composto da Michael Stipe (voce), Peter Buck (chitarra), Mike Mills (basso) e Bill Berry (batteria). R.E.M. è nota per il suo sound caratteristico, un mix di melodie orecchiabili, testi poetici e arrangiamenti sperimentali. Alcuni dei loro brani più rappresentativi includono "Losing My Religion", "Everybody Hurts", "It's the End of the World as We Know It (And I Feel Fine)" e "The One I Love". Tra i loro album più importanti ricordiamo "Automatic for the People" (1992) e "Monster" (1994).
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