Bob Dylan
When you're lost in the rain in Juarez
And it's Easter time too
And your gravity fails
And negativity don't pull you through
Don't put on any airs
When you're down on rue morgue avenue
They got some hungry women there
And they really make a mess out of you
Now if you see Saint Annie
Please tell her thanks a lot
I cannot move
My fingers are all in a knot
I don't have the strength
To get up and take another shot
And my best friend my doctor
Won't even say what it is I have got
Sweet Melinda
The peasants call her the goddess of gloom
She speaks good English
And she invites you up into her room
And you're so kind
And careful not to go to her too soon
And she takes your voice
And leaves you howling at the moon
Up on housing project hill
It's either fortune or fame
You must pick one or the other
Though neither of them
Are to be what they claim
If you're looking to get silly
You better go back from where you came
Because the cops don't need you
And man they expect the same
Now all the authorities
They just stand around and boast
Hew they blackmailed the sergeant at arms
Into leaving his post
And picking up angel who
Just arrived here from the coast
Who looked so fine at first
But left looking like a ghost
I started out on burgundy
But soon hit the harder stuff
Everybody said they'd stand behind me
When the game got rough
But the joke was on me
There was nobody even there to bluff
I'm going back to New York City
I do believe I've had enough
Nativa della Carolina del Nord, sesta di otto fratelli, fin da bambina rivela un grande talento che la porta a suonare e cantare in chiesa con le due sorelle, con il nome di "Waymon Sisters". Ma il pregiudizio razziale del profondo Sud negli anni Quaranta la condizionerà per molto tempo. Prende lezioni di piano, pagate dalla comunità di colore locale che promuove una fondazione per consentirle di proseguire gli studi musicali a New York. Nei primi anni Cinquanta lavora come pianista-cantante in vari club, ispirandosi a Billie Holiday; si orienta verso il jazz, cambia il suo nome in Nina Simone (in onore di Simone Signoret, di cui era ammiratrice) ed esegue I Loves You, Porgy, cover di un brano di George Gershwin (da Porgy and Bess). Il suo album di debutto, datato 1958, comprendeva I Loves You, Porgy e My Baby Just Cares for Me. Lavora per parecchie case discografiche mentre, a partire dal 1963, inizia a lavorare stabilmente con la Philips. È in questo periodo che registra alcune
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Good Riddance