The guilty undertaker sighs,
The lonesome organ grinder cries,
The silver saxophones say I should refuse you.
The cracked bells and washed out horns
Blow into my face with scorn,
But it's not that way,
I wasn't born to lose you.
I want you, I want you,
I want you so bad,
Honey, I want you.
The drunken politician leaps
Upon the street where mothers weep
And the saviors who are fast asleep,
They wait for you.
And I wait for them to interrupt
Me drinkin' from my broken cup
And ask me to
Open up the gate for you.
I want you, I want you,
I want you so bad,
Honey, I want you.
Now all my fathers, they've gone down
True love they've been without it.
But all their daughters put me down
'Cause I don't think about it.
Well, I return to the Queen of Spades
And talk with my chambermaid.
She knows that I'm not afraid
To look at her.
She is good to me
And there's nothing she doesn't see.
She knows where I'd like to be
But it doesn't matter.
I want you, I want you,
I want you so bad,
Honey, I want you.
Now your dancing child with his Chinese suit,
He spoke to me, I took his flute.
No, I wasn't very cute to him,
Was I?
But I did it, though, because he lied
Because he took you for a ride
And because time was on his side
And because I . . .
I want you, I want you,
I want you so bad,
Honey, I want you.
Bob Dylan, nato con il nome di Robert Allen Zimmerman (Duluth, 24 maggio 1941), è un cantautore e compositore statunitense. Distintosi anche come scrittore, poeta, pittore, attore e conduttore radiofonico, è una delle più importanti figure degli ultimi cinquant'anni nel campo musicale, in quello della cultura popolare e della letteratura. La maggior parte delle sue canzoni più conosciute risale agli anni sessanta, quando l'artista si è posto come figura chiave del movement, il movimento di protesta americano. Canzoni come Blowin' in the Wind e The Times They Are A-Changin' sono diventate gli inni dei movimenti pacifisti e per i diritti civili. I testi delle sue prime canzoni affrontano temi politici, sociali e filosofici, e risentono di influenze letterarie, sfidando le convenzioni della musica pop e appellandosi alla controcultura del tempo. Nel corso degli anni Dylan ha ampliato e personalizzato il suo stile musicale arrivando a toccare molti generi diversi come country/b
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