Cherish is the word I use to describe
All the feeling that I have hiding here for you inside
You don't know how many times I've wished that I had told you
You don't know how many times I've wished that I could hold you
You don't know how many times I've wished that I could
Mold you into someone who could
Cherish me as much as I cherish you
Perish is the word that more than applies
To the hope in my heart each time I realize
That I am not gonna be the one to share your dreams
That I am not gonna be the one to share your schemes
That I am not gonna be the one to share what
Seems to be the life that you could
Cherish as much as I do yours
Oh I'm beginning to think that man has never found
The words that could make you want me
That have the right amount of letters, just the right sound
That could make you hear, make you see
That you are drivin' me out of my mind
Oh I could say I need you but then you'd realize
That I want you just like a thousand other girls
Who'd say they loved you With all the rest of their lies
When all they wanted was to touch your face, your hands
And gaze into your eyes
Cherish is the word I use to describe
All the feeling that I have hiding here for you inside
You don't know how many times I've wished that I had told you
You don't know how many times I've wished that I could hold you
You don't know how many times I've wished that I could
Mold you into someone who could
Cherish me as much as I cherish you
And I do cherish you
And I do cherish you
Cherish is the word
Nativa della Carolina del Nord, sesta di otto fratelli, fin da bambina rivela un grande talento che la porta a suonare e cantare in chiesa con le due sorelle, con il nome di "Waymon Sisters". Ma il pregiudizio razziale del profondo Sud negli anni Quaranta la condizionerà per molto tempo. Prende lezioni di piano, pagate dalla comunità di colore locale che promuove una fondazione per consentirle di proseguire gli studi musicali a New York. Nei primi anni Cinquanta lavora come pianista-cantante in vari club, ispirandosi a Billie Holiday; si orienta verso il jazz, cambia il suo nome in Nina Simone (in onore di Simone Signoret, di cui era ammiratrice) ed esegue I Loves You, Porgy, cover di un brano di George Gershwin (da Porgy and Bess). Il suo album di debutto, datato 1958, comprendeva I Loves You, Porgy e My Baby Just Cares for Me. Lavora per parecchie case discografiche mentre, a partire dal 1963, inizia a lavorare stabilmente con la Philips. È in questo periodo che registra alcune
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