Well, I was standing on the train tracks
On a midnight blue
Trying to remember where I left my shoes
And in a natural way
My thoughts returned to you
So I walked into a honky-tonk jukebox saloon
To reflect on my losses and rock to some tunes
I thought it all through
Then I figured out what to do
I’d start working for the train, train, feedly-dang
Feedle-otten Deeten-do Dangy-do
Feedle-otten Deeten-do Ding-Train-True
I started working for the train when I was looking for you
Sprung from the ward
Steel brainpan, pity-pity
Looked you up in Freehold for a face that I could trust
The foreman said you’d left out
In some kind of state
He pointed at the office
It was already late!
I smoothed down my hair
And went to talk to the boss
He was weary, short-tempered
And had one eye on the clock
He said I had just seconds to make my case
I put one hand on his shoulder
And stuck the other in his face
And I said:“
Feelings, feelings, are somewhat symptomatic of societal abrasions that conform electric static”
He said, “Son I don’t think you have that much of a brain”
I said, “You’ve got to have a brain when you’re working for the train”
It’s a long run to Trenton
When you start about five
Some folks are tired and hungry
Some are barely alive
But when that engine starts pumping
Those familiar tones
I don’t care where the train is going
Cuz I’m already home
I spent a long year
Dancing up and down that aisle
Pestering my savior just to let me see your smile
The salesman was drunk
My training shot to the fore
I put my shoulder in his gut
And knocked his samples on the floor
And I said:“
Feelings, feelings, are somewhat symptomatic of societal abrasions that conform electric static”
He said, “Son I don’t think you have that much of a brain”
I said, “You’ve got to have a brain when you’re working for the train”
Train, train, feedly-dang
Feedle-otten Deeten-do Dangy-do
Feedle-otten Deeten-do Ding-Train-True
I started working for the train when I was looking for you
The Princeton Junction Depot
Is straight known to be staid
They wear Hound’s-tooth and khaki
Most have already paid
I looked under my visor
My heart stopped like it got froze
Lipstick like a ‘60s ‘Vette
And polish on your toes
You had half of a smile
Watching me shakin’ like a hound
As triumpth filled my body
Missing love had been found
I whooped and called “Metuchen”
As I stepped through the door
I put my hands around your hips
And kissed you then and ever more
And I said:“
Feelings, feelings, are somewhat symptomatic of societal abrasions that conform electric static”
She said, “Some folks say you don’t have much of a brain” But “You’ve got to have a brain ‘cause you’re working for the train”
Train, train, feedly-dang
Feedle-otten Deeten-do Dangy-do
Feedle-otten Deeten-do Ding-Train-True
I started working for the train when I was looking for you
I started working for the
Train, train, feedly-dang
Feedle-otten Deeten-do Dangy-do
Feedle-otten Deeten-do Ding-Train-True
And now I’ve finally found you
I’ve finally found you
I’ve finally found you
I’ve finally found you
Der musikalische text TRAIN TRUE (LENNIE'S SONG) von BLUE ÖYSTER CULT ist auch in dem Album vorhanden The symbol remains (2020)
Blue Öyster Cult è un gruppo musicale statunitense formatosi a New York nel 1967. Considerati pionieri del heavy metal, sono noti per l'uso di immagini sci-fi e occulte nelle loro canzoni. Con oltre 25 album pubblicati in una carriera che dura da oltre 40 anni, hanno venduto più di 14 milioni di copie in tutto il mondo. Tra i loro album più famosi figurano *Secret Treaties* (1974) e *Agents of Fortune* (1976), quest'ultimo contenente l'indimenticabile singolo "Don't Fear the Reaper". Altri successi includono "Godzilla" (dal 1977 *Spectres*) e "Burnin' for You" (dal 1981 *Fire of Unknown Origin*). Il gruppo ha avuto più di 20 membri nel corso degli anni, ma Eric Bloom (voce, chitarra) e Buck Dharma (chitarra) sono gli unici rimasti fin dalla sua formazione.
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