I got the news today
That you refused to play
Cause you never made number one
But it's not just the words
It's the deeds that are heard
When all is said and done
Kings take their crowns
They melt them all down
Trying to get the gold out
You went to hell and
Even when you weren't selling
You never ever sold out.
You weren't no leader,
You were more like a bleeder
Who was trying to cry for us all
You weren't no sage
But your sense of outrage
Sounded like a trumpet call
Fifteen years ago
In the old folky show
You were just one voice in the crowd
But now with so few singing
Your voice would have been ringing
Out 'bout twice as loud.
There but for fortune
Say a small circle of friends
Some may see the changes
So few see the ends
The pleasures of the harbor
Have come to you at last
You may not be marching anymore
But the parade's still going past.
I'm not taking the blame
That we killed you
You know you did that to yourself
But it was kind of a shame
That you played that game
You were better than anyone else
One shot of your bottle
Got you full throttle
It was the friend that was always there
But your greatest gift
And the curse you lived with
Was that you could always care.
Phil Ochs (1940-1976) è stato un cantautore americano noto per le sue canzoni di protesta politica e sociale. Nato Philip David Ochs a El Paso, Texas, ha iniziato la sua carriera musicale negli anni '50, influenzato da artisti come Woody Guthrie e Pete Seeger. Ochs si distinse per il suo impegno civile e la sua capacità di trasformare eventi politici in testi incisivi e musicalmente coinvolgenti. Le sue canzoni affrontavano temi come la guerra del Vietnam, la disuguaglianza sociale e i diritti civili, guadagnandosi l'appellativo di "topical singer", un termine che lui stesso preferiva a quello di cantautore di protesta. Tra le sue canzoni più famose ricordiamo "Draft Dodger Rag", "I Ain't Marching Anymore" e "Here's to the State of Mississippi". Ochs ha pubblicato numerosi album, tra cui "Phil Ochs Sings", "Gun of Love" e "Pleasures of the Harbor", che hanno contribuito a consolidare la sua posizione come uno dei cantautori di protesta più influenti degli anni '60. La sua musica ha ispirato generazioni di artisti e continua ad essere ascoltata oggi per il suo messaggio di giustizia sociale e la sua potenza evocativa.
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