![Der musikalische text THE DAY THAT CURLY BILLY SHOT DOWN CRAZY SAM MCGEE von THE HOLLIES ist auch in dem Album vorhanden Hollies [1974] (1974)](/images/albums/7890/41012.jpg "Der musikalische text THE DAY THAT CURLY BILLY SHOT DOWN CRAZY SAM MCGEE von THE HOLLIES ist auch in dem Album vorhanden Hollies [1974] (1974)")
(Clarke)
Big tall man standing in the street
Gun hanging by his side
Just one man that he'd like to meet
That's when I began to hide
I recognised him from the face of his son
The hate in his eyes didn't lie
Oh what I did can't be undone
Borrowed time there's none to buy
Well I hid round the back of a derelict shack
Ain't looking for a mad showdown
But he was smart, he'd already checked
A week in advance I'd paid down
Well the hotel clerk was a fun-loving man
The job he had it didn't pay
He told all about what happened that night
There he is, that's the one s'all he'd say
Well all the people were running, jumping, even thumping
On my bad neighbours doors
Crying Curly Billy's silly with his Colt he calls Filly
Let me in I gotta hide
Well everybody was crying, sighing Sam McGee's dying
No one to protect our town
Curly Billy's silly with his Colt he calls Filly,
He's gonna shoot your sherriff down
Big tall man standing in the street
Now a hand hovering waiting to slide
Drew out his gun it wasn't for fun
Let me in there's nowhere to hide
Well I made my play but it wasn't my day
I felt the ripping lead
That's when I knew my time was through
Rest in peace were the last words he said
Well all the people were running, jumping, even thumping
On my bad neighbours doors
Crying Curly Billy's silly with his Colt he calls Filly
Let me in I gotta hide
Well everybody was crying, sighing Sam McGee's dying
No one to protect our town
Curly Billy's silly with his Colt he calls Filly,
He's gonna shoot your sherriff down
Well all the people were running, jumping, even thumping
On my bad neighbours doors
Crying Curly Billy's silly with his Colt he calls Filly
Let me in I gotta hide
Well everybody was crying, sighing Sam McGee's dying
No one to protect our town
Curly Billy's silly with his Colt he calls Filly,
He's gonna shoot your sherriff down
Named not, as is popularly thought, after Buddy Holly, but after the Christmas 1962 holly decorating the house of founding member Graham Nash (later to find even greater fame with Crosby, Stills, and Young) the Hollies were nothing if not adaptable. The grinning beat pop and "pap-pap-she-waddy-wops" of "Stay" through to the folky overtures of "I've Got a Way of My Own" (like an estrogen-free version of the Mamas and the Papas) were obviously marvelous and yet entirely generic responses to the overriding cultural dominance of the Beatles and Bob Dylan (the latter of whose songs the band devoted an entire album to in 1968, Hollies Sing Dylan, precipitating Graham Nash's departure). But much the same thing can be said for the majority of their peers. Still, the 1960s were a golden age for the Hollies, and to hear the Graham Gouldman-penned "Bus Stop", "Carrie Anne" (part Kinks, part Beach Boys, part calypso) or the sweet-shop bubblegum of "Jennifer Eccles" is to be reacquainted with a sunny lost world of short skirts, Mini Coopers, and policemen on bicycles. Even the kneejerk cod-psychedelia of "King Midas in Reverse"--a full-on trumpets-blaring, cello-charging microcosm of Revolver and Sgt. Pepper-isms--deserves revisionist plaudits. The Hollies experienced a bit of a renaissance in the early '70s, with tracks like "He Ain't Heavy, He's My Brother," the CCR-esque "Long Cool Woman in a Black Dress," and "The Air That I Breathe," and beat Manfred Mann to the Springsteen-covering punch with their version of "Sandy," but have largely been strangers to the charts since. Yet the group soldiers on, though with the departure of Allan Clarke in 2000, there are no remaining founding members (Tony Hicks and Bobby Elliott have, however, both been Hollies since 1963).
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