Well, T for Texas, T for Tennesee
T for Texas, T for Tennessee
T for Thelma, the gal that made a wreck out of me
If you don't want me momma,
you sure don't have to stall, oh no
If you don't want me mamma,
you sure don't have to stall.
Well, I can get more women than a passenger train can haul.
Well, I'm goin where the water drinks like cherry wine
I'm going where the water drinks like cherry wine
'Cause this Georgia water, tastes like turpintine.
Well, if you don't want me momma,
you sure don't have to stall,
If you don't want me woman,
you sure don't have to stall,
Well I can get more women than a passenger train can haul
I'd rather drink muddy water,
Sleep in a hollow log,
I'd rather drink muddy water,
Sleep in a hollow log,
Than to be here in Atlanta
And get treated like a dirty dog.
Women make a fool out of me.
If you're ever down in Mobile,
you can look me up,
If you're ever down in Mobile
be sure to look me up.
And if you're ever in Atlanta,
tell Lucille to go to hell.
Women make a fool out of me.
T for Texas, T for Tennessee
The Outlaws are a southern rock band formed in Tampa, Florida in late 1967 by guitarist/vocalist Hughie Thomasson, drummer David Dix, bassist Phil Humberg, guitarists Hobie O'Brien and Frank Guidry, plus singer Herb Pino. Guidry brought the name Outlaws with him when he joined(he'd been in another group that had that name). Previous to Guidry's arrival the band had been called The Rogues, then The Four Letter Words. By early 1968 O'Brien & Humberg both had left the band to get married and Frank O'Keefe came in on bass. In the spring of 1968 the group's first manager, Paul D., brought them to Epic Studios in NYC to record an album which was never released after the band and the producer of the album had a falling out. Guidry left at this point after differences with the manager. The group headed back to Tampa, then got another deal to go to Criteria Studios in Miami to record another album with producer Phil Gernhard. But this album was likewise never released and Gernhard vanished soon after. Ronny Elliott was brought in around this time to play bass while O'Keefe briefly switched to guitar. But O'Keefe went back to bass after Elliott left in 1969 and Herb Pino began playing guitar as well as singing by this time. Drummer Monte Yoho came in that same year to sub for Dix and eventually took over the drum chair altogether. The group also parted ways with manager Paul D. By 1971 the offers for gigs had slowed down and the group went into limbo for a year or so not sure if they would continue.
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