Lou Reed

Songtext Street hassle Lou Reed

 ROCK
 894

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Street hassle


A) waltzing matilda

Waltzing matilda whipped out her wallet
The sexy boy smiled in dismay
She took out four twenties cause she liked round figures
Everybodys a queen for a day
Oh, babe, Im on fire and you know how I admire your -
- body why dont we slip away
Although Im sure youre certain, its a rarity me flirtin
Sha-la-la-la, this way

Oh, sha-la-la-la-la, sha-la-la-la-la
Hey, baby, come on, lets slip away

Luscious and gorgeous, oh what a hunk of muscle
Call out the national guard
She creamed in her jeans as he picked up her means
From off of the formica topped bar
And cascading slowly, he lifted her wholly
And boldly out of this world
And despite peoples derision
Proved to be more than diversion
Sha-la-la-la, later on

And then sha-la-la-la-la, he entered her slowly
And showed her where he was coming from
And then sha-la-la-la-la, he made love to her gently
It was like shed never ever come
And then sha-la-la-la-la, sha-la-la-la-la
When the sun rose and he made to leave
You know, sha-la-la-la-la, sha-la-la-la-la
Neither one regretted a thing

B) street hassle

Hey, that cunts not breathing
I think shes had too much
Of something or other, hey, man, you know what I mean
I dont mean to scare you
But youre the one who came here
And youre the one whos gotta take her when you leave
Im not being smart
Or trying to be cold on my part
And Im not gonna wear my heart on my sleeve
But you know people get all emotional
And sometimes, man, they just dont act rational
They think theyre just on tv

Sha-la-la-la, man
Why dont you just slip her away

You know, Im glad that we met man
It really was nice talking
And I really wish that there was a little more time to speak
But you know it could be a hassle
Trying to explain myself to a police officer
About how it was that your old lady got herself stiffed
And its not like we could help
But there was nothing no one could do
And if there was, man, you know I would have been the first
But when someone turns that blue
Well, its a universal truth
And then you just know that bitch will never fuck again
By the way, thats really some bad shit
That you came to our place with
But you ought to be more careful around the little girls
Its either the best or its the worst
And since I dont have to choose
I guess I wont and I know this aint no way to treat a guest
But why dont you grab your old lady by the feet
And just lay her out on the darkened street
And by morning, shes just another hit and run
You know, some people got no choice
And they cant never find a voice
To talk with that they can even call their own
So the first thing that they see
That allows them the right to be
Why they follow it, you know, its called bad luck

C) slipaway

Believe me, that its just a lie
Thats what she tells her friends
cause the real song, the real song
Which she wont even admit to herself
Beat narrow heart, the song lots of people know
Its a painful song
Itll only say the truth
It lasts for sad songs
Penny for a wish
A wish wont make you a soldier
A pretty kiss or a pretty face
Cant have its way
The tramps like us who were born to play

Love is gone away
And theres no one here now
And theres nothing left to say
But, oh, how I miss him, baby
Oh, baby, come on and slip away
Come on, baby, why dont you slip away

Love is gone away
Took the rings off my fingers
And theres nothing left to say
But, oh how, oh how I need him, baby
Come on, baby, I need you baby
Oh, please dont slip away
I need your loving so bad, babe
Please dont slip away

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Biografia

Lewis Allan Reed nacque al Beth El Hospital di Brooklyn, New York, e crebbe a Freeport, Long Island. Appassionatosi alla musica ascoltando la radio, imparò a suonare la chitarra e sviluppò un forte interesse per il rock and roll e il rhythm and blues, e durante gli anni delle scuole superiori suonò in vari gruppi studenteschi. Reed alla scuola superiore, 1959. Nel 1956, ancora adolescente, Reed venne sottoposto ad una terapia di elettroshock che avrebbe dovuto curare la sua bisessualità recentemente manifestatasi; nel 1974 Reed scrisse la canzone Kill Your Sons circa questa esperienza che lo traumatizzò e di cui non si liberò mai. Alla fine del 1960 Reed iniziò a frequentare la Syracuse University, studiando giornalismo, regia cinematografica, e scrittura creativa. Nel 1961 egli iniziò a condurre un programma radiofonico notturno alla stazione radio WAER chiamato "Excursions On A Wobbly Rail." Il nome del programma derivava dal titolo di un brano musicale del pianista jazz Cecil Taylor. Nel corso della trasmissione, Reed trasmetteva doo wop, rhythm and blues e jazz, in particolare brani free jazz. Molte delle tecniche chitarristiche di Reed, derivarono da sassofonisti jazz come Ornette Coleman. Nel giugno 1964 Reed si laureò alla Syracuse University's College of Arts and Sciences. Lo scrittore e poeta Delmore Schwartz insegnava alla Syracuse University e prese in simpatia il giovane Reed, che nel 1966 gli dedicò la composizione European Son inclusa nell'album di debutto dei Velvet Underground. Reed dichiarò in seguito che l'obiettivo principale come scrittore che si era prefissato era quello di "portare la sensibilità della letteratura nella musica rock", rendendo superati gli adolescenziali testi delle canzoni di rock and roll degli anni cinquanta e primi sessanta (che il suo mentore Schwartz detestava immensamente).

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