She changes your mind
When you see the joy in her eyes it makes you feel
It makes you feel
She draws your eye from all the things that made you numb
And makes you feel, and makes you feel
If I could open up my heart and let her out
I would never have to say her name aloud
It was your "Hello" that kept me hanging on every word
And your "Goodbye" that keeps me listening for your voice around each corner
It keeps me listening for your voice around each corner
And I'll sing a songs
To help me stay up all night long 'cause I don't want to go to sleep
And I'll sing a song
And hope you're listening carefully
To know exactly what I mean
And you know exactly what I mean when I say
If I could open up my heart and let her out
I would never have to say her name aloud
It was your "Hello" that kept me hanging on every word
And your "Goodbye" that keeps me listening for your voice around each corner
It keeps me listening for your voice around each corner
It's the song you must seek out when your night has just begun
In the distance you can find the lips from which the song comes out
It was your "Hello" that kept me hanging on every word
And your "Goodbye" that keeps me listening for your voice around each corner
I was hanging on every word
And your "Goodbye," it keeps me listening for your voice around each corner
It keeps me listening for your voice around each corner
Stewart Armstrong Copeland (Los Angeles, 16 luglio 1952) è un musicista statunitense di fama internazionale, conosciuto soprattutto come batterista e compositore dei The Police. Nato a Los Angeles da genitori britannici, si trasferì in Inghilterra all'età di sette anni. Dopo aver studiato musica classica al Royal College of Music di Londra, Copeland iniziò la sua carriera musicale negli anni '70 con diverse band locali. Nel 1977 incontrò Sting e Henry Padovani, dando vita ai The Police. Il gruppo raggiunse il successo mondiale negli anni '80 con album come *Outlandos d'Amour*, *Reggatta de Blanc* e *Synchronicity*, caratterizzati da un mix di reggae, rock e pop. Copeland contribuì in modo significativo alla sonorità dei The Police, con la sua tecnica batteristica innovativa e le sue composizioni originali. Dopo lo scioglimento del gruppo nel 1986, Copeland ha continuato a lavorare come compositore per film e televisione, collaborando con registi come David Lynch e Spike Lee. Ha anche fondato il suo progetto solista, *The Police*, e ha pubblicato diversi album di musica elettronica e sperimentale. Tra i suoi brani più rappresentativi figurano "Message in a Bottle", "Every Breath You Take" e "Walking on the Moon".
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