love comes in spurts
and love is all around us
love is what is does
sometimes it hurts
does that strike you rather strangely
does it ever love
please, please, please
don't need to be so cruel
please, please, please
don't treat me like a fool
love comes in spurts
sometimes it gets to be too much to rise above
please, please, please
don't need to be so cruel
please, please, please
don't treat me like a fool
if you love me
then you would leave me
leave me time
to be alone
please believe me
that would leave me
time to love you
does that strike you funny, Love!
Be-bop-a-lula
Be-bop-a-lula, she's my baby
when it's over
promise me that you'll go
when it's over
promise you'll let me know
when it's over
promise me that you'll go
just because what it was becomes
another empty cup of memories
love comes in spurts
and love is all around us
love is what is does
sometimes it hurts
does that strike you rather strangely
does it ever love
please, please, please
don't need to be so cruel
please, please, please
don't treat me like a fool
if you love me
then you would leave me
leave me time
to be alone
please believe me
that would leave me
time to love you
does that strike you funny, Love!
when it's over
promise me that you'll go
when it's over
promise you'll let me know
when it's over
promise me that you'll go
just because what it was becomes
another empty cup of memories
Be-bop-a-lula
Be-bop-a-lula, she's my baby
New wave/post punk band Devo are noted for their surreal and satirical sense of humour and kitch sci-fi image. Their first album Q: Are We Not Men? A: We Are Devo! (1978) was produced by Brian Eno and acclaimed by critics. Despite their off-the-wall antics, Devo did acheive a Top 20 hit in 1980 with "Whip It", which included a video popular with new TV channel MTV. Devo's wacky synth-pop attracted a cult following and for a short time was influential, but they proved to be a one-trick pony who weren't capable of much progression. After their output ground to a halt in the early 90s, the members pursued other projects: co-founder Mark Mothersbaugh being the most successful, composing soundtracks to films such as Rushmore and The Royal Tenenbaums.
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