I am looking for the holes
The holes in your jeans
Because I want to know
Are they worn out in the seat
Or are they worn out in the knees
There are so many ways to wear
What we've got before it's gone
To make use of what is there
I don't wear anything I can't wipe my hands on
Do your policies fit between the headlines
Are they written in newsprint, are they distant
Mine are crossing an empty parking lot
They are a woman walking home at night alone
They are six string that sing
And wood that hums against my hipbone
We can't afford to do anyone harm
Because we owe them our lives
Each breath is recycled from someone else's lungs
Are enemies are the very air in disguise
You can talk a great philosophy
But if you can't be kind to people every day
It doesn't mean that much to me
It's the little things you do
The little things you say
It's the love you give along the way
When we patch things up
They say a job well done
But when we ask why
Where did the rips come from
They say we are subversive
And extreme, of course
We are just trying to track a problem to its source
Because we know we can't sit back
And let people come to harm
We owe them our lives
Each breath is recycled from someone else's lungs
Our enemies are the very air
Our enemies are the air
We are looking for the holes
The holes in your jeans
Because we want to know
Are they worn out in the seat
Or are they worn out in the knees
Der musikalische text LOOKING FOR THE HOLES von ANI DIFRANCO ist auch in dem Album vorhanden Not so soft (1991)
Ani DiFranco (nata Angela Marie Di Franco) è una cantautrice, musicista e attivista americana di origini italo-americane. Considerata un'icona del folk alternativo e della musica indipendente, DiFranco si distingue per la sua voce potente, le sue liriche introspettive e il suo stile musicale eclettico che fonde elementi di folk, rock, hip hop e jazz. Iniziò a suonare in locali underground all'età di 16 anni, pubblicando il suo primo album indipendente nel 1990. DiFranco ha sempre mantenuto un forte controllo creativo sul suo lavoro, fondando la sua etichetta discografica, Righteous Babe Records, nel 1990. La sua musica affronta temi sociali come il femminismo, la giustizia sociale e l'ambiente, guadagnandosi il rispetto di una vasta fanbase che apprezza la sua autenticità e la sua capacità di parlare a un pubblico ampio con sincerità e coraggio. Tra i suoi brani più rappresentativi figurano "Not A Pretty Girl", "32 Flavors" e "Little Plastic Castle".
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