Pre
***intro:
Em d/f# g c
Em d c g
*** verse: 1
Em d/f# g c
Weve known her ever since she was a kid
Em d c g
She was the kind of girl who repeats her mistakes
Em d/f# g c
Her parents never minded what she did
Em d c g
She was a fallen angel with dirt on her face
Am g/b c d
But past a certain point she stayed behind
Am g/b c d
The two of us could never read her mind
Am g/b c d
The million ways she had of killing time
*** chorus:
Em d c
So we just gave up
Em d c
Yeah we just gave up
Em d
cause sometimes, you know
C g
Theres limits to love
C g c g
*** verse 2:
Wed get impatient with her now and then em d/f# g c
Oh, shed smile and say, `now youre not being nice. em d c g
I guess her definition of a friend em d/f# g c
Was someone long on love, and short on advice em d c g
We gave her money but the moneys bad am g/b c d
She took the dollars and just tore them in half am g/b c d
We got so angry, we just had to laugh am g/b c d
*** chorus:
But we still gave up em d c
Yeah we still gave up em d c
cause sometimes, you know em d
Theres limits to love c g | c g | c g
*** instrumental:
** verse 3:
Shell get in trouble but she will scrape through em d/f# g c
Oh, shes the kind of girl who can always find help em d c g
Id say shes stupid, but itd be untrue em d/f# g c
Oh, youve got to be smart if youre fooling yourself em d c g
We tried to love her, but our love unwound am g/b c d
(so our love was weak)
We talked about her when she wasnt around am g/b c d
(so our talk was cheap)
And still we felt that we were letting her down am g/b c d
*** chorus:
cause we just gave up em d c
Yeah we just gave up em d c
cause sometimes, you know em d
Theres limits to love c g
Sometimes you know em d
Theres limits to love c g
||: em d c g | c g c g :||
(fade)
/pre
Aimee Mann è una cantautrice e musicista americana, nota per il suo stile musicale indie pop caratterizzato da testi introspettivi e melodie avvolgenti. Iniziò la sua carriera negli anni '80 come cantante del gruppo 'Til Tuesday, raggiungendo un discreto successo con singoli come "Voices Carry". Dopo lo scioglimento del gruppo, Mann intraprese una carriera solista, pubblicando album di grande apprezzamento critico come "Bachelor No. 2" (1993) e "Magnolia" (1999), quest'ultimo colonna sonora del film omonimo di Paul Thomas Anderson. Nel 2003, Mann fondò la sua etichetta discografica, SuperEgo Records, per avere maggiore controllo sulla propria musica. I suoi album successivi, come "The Forgotten Arm" (2005) e "@#% and *!" (2017), hanno consolidato il suo status di artista indipendente di successo. Tra i brani più rappresentativi di Aimee Mann si ricordano "Save Me", "Wise Up", e "Deathly".
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