just the thought
of our bed
makes me crumble like the plaster
where you punched the wall beside my head
and i try
to draw the line
but it ends up running down the middle of me
most of the time
and boys get locked up in some prison
girls get locked up in some house
and it don't matter if it's a warden
or a lover
or a spouse
you just can't talk to 'em
you just can't reason
you just can't leave
and you just can't please 'em
yeah i was locked
into being my mother's daughter
i was just eating bread and water
thinking
nothing ever changes
and i was shocked
to see the mistakes of each generation
will just fade like a radio station
when you drive
you just gotta drive
out of range
and if you're not angry
then you're just stupid
you don't care
how else can you react
when you know
something's so unfair
when the men of the hour
can kill half the world in war
make them slaves to a super power
and let them die poor
i was locked
into being my mother's daughter
i was just eating bread and water
thinking
nothing ever changes
and i was shocked
to see the mistakes of each generation
will just fade like a radio station
when you drive
you just gotta drive
you just gotta drive
out of range
'cause just the thought
of our bed
makes me crumble like the plaster
where you punched the wall beside my head
and i try
to draw the line
but it ends up running down the middle of me
most of the time
and baby i love you
that's why i'm leaving
there's no talking to you
and there's
Ani DiFranco (nata Angela Marie Di Franco) è una cantautrice, musicista e attivista americana di origini italo-americane. Considerata un'icona del folk alternativo e della musica indipendente, DiFranco si distingue per la sua voce potente, le sue liriche introspettive e il suo stile musicale eclettico che fonde elementi di folk, rock, hip hop e jazz. Iniziò a suonare in locali underground all'età di 16 anni, pubblicando il suo primo album indipendente nel 1990. DiFranco ha sempre mantenuto un forte controllo creativo sul suo lavoro, fondando la sua etichetta discografica, Righteous Babe Records, nel 1990. La sua musica affronta temi sociali come il femminismo, la giustizia sociale e l'ambiente, guadagnandosi il rispetto di una vasta fanbase che apprezza la sua autenticità e la sua capacità di parlare a un pubblico ampio con sincerità e coraggio. Tra i suoi brani più rappresentativi figurano "Not A Pretty Girl", "32 Flavors" e "Little Plastic Castle".
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