My name is Lisa Kalvelage, I was born in Nuremberg
And when the trials were held there nineteen years ago
It seemed to me ridiculous to hold a nation all to blame
For the horrors that the world did undergo
A short while later when I applied to be a G. I. bride
An American consular official questioned me
He refused my exit permit, said my answers did not show
I'd learned my lesson about responsibility.
Thus suddenly I was forced to start thinking on this theme
And when later I was permitted to emigrate
I must have been asked a hundred times where I was and what I did
In those years when Hitler ruled our state
I said I was a child or at most a teen-ager
But that only extended the questioning
They'd ask, where were my parents, my father, my mother
And to this I could answer not a thing.
The seed planted there at Nuremberg in 1947
Started to sprout and to grow
Gradually I understood what that verdict meant to me
When there are crimes that I can see and I can know
And now I also know what it is to be charged with mass guilt
Once in a lifetime is enough for me
No, I could not take it for a second time
And that is why I am here today.
The events of May 25th, the day of our protest,
Put a small balance weight on the other side
Hopefully, someday my contribution to peace
Will help just a bit to turn the tide
And perhaps I can tell my children six
And later on their own children
That at least in the future they need not be silent
When they are asked, "Where was your mother, when?"
Ani DiFranco (nata Angela Marie Di Franco) è una cantautrice, musicista e attivista americana di origini italo-americane. Considerata un'icona del folk alternativo e della musica indipendente, DiFranco si distingue per la sua voce potente, le sue liriche introspettive e il suo stile musicale eclettico che fonde elementi di folk, rock, hip hop e jazz. Iniziò a suonare in locali underground all'età di 16 anni, pubblicando il suo primo album indipendente nel 1990. DiFranco ha sempre mantenuto un forte controllo creativo sul suo lavoro, fondando la sua etichetta discografica, Righteous Babe Records, nel 1990. La sua musica affronta temi sociali come il femminismo, la giustizia sociale e l'ambiente, guadagnandosi il rispetto di una vasta fanbase che apprezza la sua autenticità e la sua capacità di parlare a un pubblico ampio con sincerità e coraggio. Tra i suoi brani più rappresentativi figurano "Not A Pretty Girl", "32 Flavors" e "Little Plastic Castle".
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