Hey everybody, I'm doing alright
I'm driving around in the middle of
the night on a silver cloud
You can touch me if you want, it's
obligatory, it's allowed
C'mon get in, everybody climb in
Hey, get in 'cause all we do around
here
Is win, win, win, win, swimming and
winning
Swimming, swimming, swimming, swimming
The swimming pool smells of chlorine
The gardener humanizes the hedge with
shears
The poolhouse is obscene, no one has
used the pool in years
Climb in, climb in, you can touch me
if you want
And you will win, win, win, you have
nothing to lose
You've got everything to win, you got
nothing to lose
You, man? Human??? You, man? Human???
You, man? Human??? You, man? Human???
You, man? Human??? You, man? Human???
You, man? Human??? You, man? Human???
You, man? Human??? You, man? Human???
You, man? Human??? You, man? Human???
You, man? Human??? You, man? Human???
You, man? Human??? You, man? Human???
I'll take you down to Basin Street,
they got crow in their shoes
A motel in Memphis, see the King of
the Blues
A South Dakota trail among the buffalo
and Sioux
You can touch me if you want, c'mon
get in
Win, win, win in my silver cloud
You can touch me if you want, it's
statutory, it's allowed
I'd keep the windows rolled up if I
was you
What, with all the buffalo and Sioux
And the lock's all down in the middle
of the night in my silver cloud
Think there's a swimming pool smells
like bleach
The driver has dropped something down
the back of his seat
No one has driven this car for years
You can touch me if you want but I've
not been sheared
I'm not human, you, man? I'm not human,
you, man?
I've not been a man for years, I ain't
been human for years
But you can touch me if you can't,
you can touch me if you can't
Can touch me if you can't 'cause I'm
alright
The Flaming Lips came from Oklahoma City, emerging in 1983 with their strange sound almost fully formed. Since then, the Flaming Lips have come under the almost singular leadership of singer Wayne Coyne and done magical things with alternative rock. In the early 1990s they made a commercial splash with "She Don't Use Jelly," showing the world their madcap pretzelling of pop music - a tumultuous tangle of guitars, bristling melodies, and oddball lyrics. Since then, The Soft Bulletin attempted a 90s version of Pet Sounds and largely succeeded, becoming one of the most acclaimed albums of the decade in its last few months. Yoshimi Battles the Pink Robots (2002) was widely praised too, and eventually became a gold-seller: their biggest commercial success, two decades and 10 albums after they started. The Lips are also famous for their live performances, which often feature giant plastic balls, furry animal suits, hand puppets, videos, light-shows and truckloads of confetti.
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